Description

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Monica McClure's second poetry collection excavates inheritances--historical, cultural, familial, and economic--as it alternates between magnified and microscopic views of American life.

Born in rural Texas in 1986, the oldest of seven children, and once described by Craig Teicher of NPR as "the poster-girl for a new generation of poets," McClure revises the nuances of class, race, and clashing identities in a polyvocal style that flows out of her experience as an ambiguous academic turned ambivalent corporate creative; a firsthand witness to rural poverty and its colonial origins; a white Chicana with a vexed position in American society; an educated urbanite with a deep connection to the folklore and wisdom of her agricultural-worker ancestors. THE GONE THING upends traditions of pastoral poetry and bucolic subject matter, using the allegory of land stewardship to sketch a jagged narrative of personal and collective loss. Sometimes self-conscious, often unequivocally sincere, the lines that compose these poems lull and jolt their way across different landscapes: barren political realms, the author's own fertile body, a suffering natural world, and an amnesiac society, in which the speaker works, shops, marvels, suffers, and doesn't die.

About the Author

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Monica McClure is a Brooklyn-based writer and author of the poetry collection, TENDER DATA (Birds, LLC, 2015) and the chapbooks, CONCOMITANCE (Counterpath Press, 2016), Boss Parts 1& 2 (If A Leaf Falls Press, 2016), Mala (Poor Claudia, 2014), and Mood Swing (Snacks Press, 2013). With Madeleine Maillet and Emily Brandt, she runs Yellow Wallpaper, an organization that promotes radically and rigorously curated books and book culture for readers outside major metropolitan areas. She works as a copywriter for e-commerce and tech.