Description

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Sage Ravenwood is a deaf Indigenous poet whose work deals with the lingering, resurgent trauma of familial violence and the machinations of colonialism. Everything That Hurt Us Becomes a Ghost is a poet’s response to her place in the wider world, exploring grief, anger, tenderness, and defiance. Ravenwood sheds light on Indigenous issues such as MMIW (Missing and Murdered Indigenous Women) and the Native American boarding schools, but she also makes space to center the natural world and her reverence of it. The poems in this collection are unafraid to name rage and pain as driving emotions yet strive for understanding and a way forward to healing.

About the Author

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Sage Ravenwood is a deaf Cherokee woman residing in upstate New York with her two rescue dogs, Bjarki and Yazhi. She is an outspoken advocate against animal cruelty and domestic violence. Her work can be found in The Temz Review, Contrary, Pioneertown Literary, Grain, The Familiar Wild: On Dogs and Poetry, The Rumpus, Lit Quarterly, PØST, Massachusetts Review, Savant-Garde, ANMLY, River Mouth Review, Native Skin Lit, Santa Clara Review, The Normal School, UCity Review, Punk Noir, Janus Literary, Jelly Bucket, Colorado Review, Pangyrus, PRISM International, 128 Lit, A Gathering of the Tribes, Ponder Review, and more. Everything That Hurt Us Becomes a Ghost is her first poetry collection.