Description

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In his award-winning translation, Charles Martin combines fidelity to Ovid’s text with verse that catches the speed and liveliness of the original.

Ovid’s epic poem—whose theme of change has resonated throughout the ages—is one of the most important texts of Western imagination, an inspiration from Dante’s time to the present, when writers such as Salman Rushdie and Italo Calvino have found a living source in Ovid’s work. The text is accompanied by a preface, A Note on the Translation, and detailed explanatory annotations.



“Sources and Backgrounds” includes Seneca’s inspired commentary on Ovid, Charles Martin’s essay on the ways in which pantomimic dancing—an art form popular in Ovid’s time—may have been the model for Metamorphoses, as well as related works by Virgil, Callimachus, Hesiod, and Lucretius, among others.



From the enormous body of scholarly writing on Metamorphoses, Charles Martin has chosen six major interpretations by Bernard Knox, J. R. R. Mackail, Norman O. Brown, Italo Calvino, Frederick Ahl, and Diane Middlebrook.



A Glossary of Persons, Places, and Personifications in the Metamorphoses and a Chronology and Selected Bibliography are also included.

About the Author

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Charles Martin was born in New York City in 1942. He earned a Ph.D. in English from the State University of New York at Buffalo. The recipient of numerous awards, Martin has received the Bess Hokin Prize, the Literature Award from the American Academy of Arts and Letters, and fellowships from the National Endowment for the Arts and the Ingram Merrill Foundation. Three of his poetry collections—Steal the Bacon (1987), What the Darkness Proposes (1996), and Starting from Sleep: New and Selected Poems (2002)—have been nominated for the Pulitzer Prize. His translation of Ovid’s Metamorphoses won the 2004 Harold Morton Landon Translation Award from the Academy of American Poets.

Charles Martin was born in New York City in 1942. He earned a Ph.D. in English from the State University of New York at Buffalo. The recipient of numerous awards, Martin has received the Bess Hokin Prize, the Literature Award from the American Academy of Arts and Letters, and fellowships from the National Endowment for the Arts and the Ingram Merrill Foundation. Three of his poetry collections—Steal the Bacon (1987), What the Darkness Proposes (1996), and Starting from Sleep: New and Selected Poems (2002)—have been nominated for the Pulitzer Prize. His translation of Ovid’s Metamorphoses won the 2004 Harold Morton Landon Translation Award from the Academy of American Poets.